Thank you mystery stranger for having the courage to deface these LGBTQIA posters around my friend’s school because she was too shy to do it but is now immensely grateful for the change
thought provoking: ally: a compliment not a label…
World going down the drain street art
Omg this is amazing
Greetings, book friends! Some of you may have become acquainted with Corpus Libris over the last 5 years — when it started on a quiet night at Skylight Books in 2008, as it grew on Blogspot and Twitter, and as submissions came in from all over the world. It only seemed appropriate to breathe some new life into the project on Tumblr. You’ll revisit some photos you’ve seen before, you’ll see new ones, and hopefully, you’ll submit some yourselves!
All you have to do is click the red “Submit” button at the top of the page, select a photo, and for the caption, put the title of the book, the author(s), and where the photo was taken (either the bookstore/library/company, or the city). Or, if it’s easier for you, you can email corpuslibris AT gmail DOT com.
This project has been one of my biggest spots of joy over the last few years, and I’m excited to continue sharing it with all of you.
All the best,
CORPUS LIBRIS FOREVER!
Manhood by Mels Van Driel at Skylight Books
The Operators by Michael Hastings at Skylight Books
Donnybrook by Frank Bill at WORD
Corpus by Alejandra Figueroa at Third Place Books
In One Person by John Irving at Skylight Books
i love this.
Guante - “Cherry Spoon Bridge To Nowhere”
"To my fellow artists, remember: art is a weapon, not the war."
Performing at the Soap Boxing Poetry Slam in Saint Paul. Buy Guante’s work in VIRAL.
Hieu Minh Nguyen - “2006”
"I’m not a piece of coal waiting to be crushed into a diamond. There’s nothing sexy waiting to be carved out."
Performing at the SlamMN! Valentine’s Day tournament.
Architectural Watercolors by Maja Wronska
You Can Also Find Me -:
these are gorgeous
‘Landed’ is the recreation of a 1920’s suburban Australian home positioned on the forecourt of the Art Gallery of South Australia. The house, all black, appears to have fallen from the sky and embedded itself in the forecourt of the gallery.
The sculpture was designed, in part, to contrast the neo-classical architecture of the museum, but the work is also a direct and playful reference to the Wizard of OZ and the sudden appearance of western culture in Australia.